Diandra is a bi-latine (Cuban/Mexican) Editor and was born and raised in Atwater, Los Angeles by her maternal grandmother. She is also a single mother to her three year old son, Roman.
She aspired to be an editor since she was first introduced to the art while at John Marshall High School (on Final Cut 5). She went on to Cal State University, Los Angeles and began her career in the industry in 2010 after graduating film school where she learned and was certified in Avid Media Composer. She now cuts on Premiere Pro and DaVinci Resolve as well.
Over the next decade, she worked as an Assistant Editor on a variety of projects in everything from talk shows, game shows, unscripted reality, but spent most of her time in scripted.
She received her first TV Editor credit on the scripted young adult drama, Riverdale in 2019. From there she continued to her first full season as Editor on Katy Keene. Other works include Love, Victor, Law & Order SVU and Cruel Summer.
Diandra Kendall Luzon is a Cuban-Mexican editor from Atwater, Los Angeles, whose storytelling is shaped by rhythm, empathy, and cultural duality. Raised by her grandmother in a bilingual home, she brings a grounded, human perspective to her work — blending intuition with heart. Her hands-on trajectory — from assistant editor roles on major genre projects to full editorial responsibility on high-stakes episodes — underlines her capacity to both learn fast and lead boldly.
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Her path through the cutting room began on genre-bending series like Riverdale and Katy Keene and evolved into a distinct editorial voice known for precision, empathy, and dialing in tone. Diandra has contributed to projects that explore complex identities and moral gray areas — like on episodes of Cruel Summer and Law & Order SVU.
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Her most recent credit on indie rom-com In Spite of Ourselves is yet another character-driven project that she was tasked with creating a nuanced story in the cutting room—reworking and reshaping scenes that not only serve the script, but elevate it—connecting rhythm, tone and character in ways that underscores her ability to deliver an impactful piece of work (and under tight schedules). She thrives in environments where stakes are high and storytelling demands are bold.
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Whether it’s sculpting tension in a dramatic peak or orchestrating catharsis in a quiet moment, Diandra’s editorial hand is distinct: intuitive, synergetic and relentlessly driven by story first. She’s ready to partner with vision-driven producers, directors and writers who want an editor who both likes to experiment and has the skill to really find the heart of your story in the cutting room.